Thirdly, you should consider the level of protection you need. Some fixative sprays are formulated for charcoal or pastel, while others are specifically designed for pencils. Secondly, you need to look for a fixative spray that is compatible with your pencil medium. Workable fixatives allow you to add more layers of pencil after applying the spray, whereas final fixatives are used as a final protective layer. In this article, we'll discuss the key points you should consider when looking for the best fixative spray for pencil drawings.įirstly, you need to consider the type of fixative spray you want to use. However, with so many options available in the market, it can be overwhelming to find the best one for your needs. One of the best ways to do this is by using a fixative spray. The bouncing ball is the classic animation exercise, demonstrating not only squash and stretch, but also the effect of gravity and inertia on the spacing and timing of the animation.If you're an artist who loves to work with pencils, you know how important it is to protect your artwork from smudging, fading, or rubbing off. In this exercise, you will experiment with basic squash and stretch and observe how the properties of objects affect how they move. The ball moves fastest just before and after it hits the ground, and decelerates as it reaches the top of its arc. The ball stretches as it gains speed, and then squashes on impact with the ground. In reality, a bowling ball does not squash, but in animation, you need to add a little bit of squash and stretch in order to give a better illusion of movement and weight. You should complete the exercise in a new project.
Take a moment to visualize the scene in your head: When you're done, take a look at the material in the Lesson 6 sample material.Visualize a basketball bouncing across the screen.
Visualize how many times it bounces and by how much the height of these bounces gradually decrease.Visualize how it bounces when it hits the ground. If the ball has the solid and rigid consistency of a bowling ball, the squash and stretch will be smaller. In reality, the bowling ball does not squash, but in its animation, you need to add a little bit of squash and stretch to create a better sense of movement and the illusion of weight.
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You can download the provided sample material for this module and use the following templates to use as a reference to compare with your final sketch.
In the Camera view, draw the path of action of a falling and bouncing basketball.In the Colour view, create a grey colour swatch and select it.In the Tools toolbar, select the Brush tool.In the Timeline view, rename the Drawing layer: Basketball_Path.Take a moment to visualize the scene in your head as you did just before this exercise.Make sure HDTV_1080p24 is selected in the Resolution List.Browse to the location where you want to save your project.In the Welcome screen, do the following.MO-PRIN-004/-PRIN-004/'t forget to unzip (uncompress) the files before placing them in your library. There should be one each time the ball hits the ground and one at the top of each bounce. Place black strokes along the path of action, positioning the in-between drawings of the animation.The marks should be positioned at the centre point of the ball at each position. Did you see the slight squash and stretch?.Visualize how it rolls briefly on the ground before being completely immobilized.Visualize how many bounces it does and how much the height of these bounces dramatically decreases from one to another.Visualize how little it bounces when it hits the ground.Visualize a bowling ball being dropped from a significant height.Once again, take a moment to visualize the scene in your head.In the Timeline view, extend the exposure of your path drawing to use it as a guide throughout the animation.Now is the time to determine the ease-in and ease-out.
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